[44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". A free trial, then 4.99/month or 49/year. Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. The actress Margaret Lockwood was one of Britain's biggest 1940s film stars. It was an uphill battle even for those who survived. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. The amount of cleavage exposed by Lockwood's Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. This naturally raises the question: Why are there two different names? PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. Each time I play him, I discover hidden things I never thought of before, she enthused. In the 1930s, she appeared in a variety of stage plays and made her name. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. Corrections? Stone appeared with her in her award winning 1970s television series, "Justice", in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. Your email address will not be published. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. Lockwood never remarried, declaring: "I would never stick my head into that noose again," but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, "And Suddenly It's Spring". ]died July 15, 1990, London, Eng. Lockwood married Rupert Leon in 1937, and the marriage lasted for 13 years. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). [30] "I was sick of getting mediocre parts and poor scripts," she later wrote. The Truth About Beauty Marks. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. [17][18], Lockwood returned to Britain in June 1939. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). Gaumont extended her contract from three to six years. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. This is partially dictated by Hollywood's elite. Directed by: Leslie Arliss. Lockwood also appeared in several other television shows. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. I used to love her films.. Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. She called it My first really big Picture. Organize, control, distribute and measure all of your digital content. (1937), again for Carol Reed and was in Melody and Romance (1937). The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. Updates? Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. She lived her final years in seclusion in Kingston upon Thames, London. This is partially dictated by Hollywood's elite. Access the best of Getty Images with our simple subscription plan. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). Was a committed teetotaller all her life and detested the taste of The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. Margaret Lockwood lived at 34 Upper Park Rd, Kingston upon Thames KT2 5LD between 1960 and 1990. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). Sign up for BFI news, features, videos and podcasts. Switch to the dark mode that's kinder on your eyes at night time. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. These films have not worn particularly well, but. Karachi-born Margaret Lockwood, daughter of a British colonial railway In spite of this, she was warmly remembered by the public. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. Lockwood discusses her upbringing in a Boston area Irish family and her early . The music was written by Hubert Bath. Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. Karen Hearn, an honorary professor of English at University College London, told BBC, "He found them worrying." Lockwood called it "one of the films I have enjoyed most in all my career. 2023 British Film Institute. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Her first moment on stage came at the age of Listed on 2023-02-26. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. Duration is 1 hr., 53 min. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. No weekends or evenings required. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. British Parliament wasn't a fan of this tomfoolery, though. The Lady Vanishes: The Criterion Collection [Blu-Ray]. The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. She called it "my first really big picture with a beautifully written script and a wonderful part for me. When I marry, I shall have a large family. Miss Lockwood's family would not disclose the . She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. Rex Harrison was the male star. [33] She also appeared in an acclaimed TV production of Pygmalion (1948). Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. Built in clientele. [1] In 1932 she appeared at the Theatre Royal, Drury Lane in Cavalcade. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. Contents 1 Plot 2 Cast 3 Production 4 Reception In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. Her RADA-trained voice was posh, of course, but not supercilious. Tap into Getty Images' global scale, data-driven insights, and network of more than 340,000 creators to create content exclusively for your brand. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queuing outside cinemas all over Britain. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). After becoming a dance pupil at the Italia Conti school. It made her determined to be up on stage herself, flying through the air and fighting the pirates. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." She was known for her stunning looks, artistry and versatility. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. Please refer to the appropriate style manual or other sources if you have any questions. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. Ive been pretty lonely at times.. I dont believe in raising an only child. Julia was born in Ringwood, Hampshire, when her father, Rupert Leon, a commodities clerk, was serving in the army while her mother continued her film career. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. I used to love her films. [citation needed], She was the subject on an episode of This Is Your Life in December 1963. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her.
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